Please note: the music images on this page were created with Mozart 12. The quality of engraving provided by the current version is much improved in many respects.
Mozart's pitch range (previously 8 octaves) has been expanded, to cope with the highest and lowest pitched instruments, should it be desired, without 8va indications.
Alternatively, two-octave instructions 15ma and 15mb have now been added to Mozart's 8va and 8vb options, so this (fairly unlikely) passage may be written:
A new note style is available showing notes as open diamonds irrespective of their duration.
A vertical stack of notes may now include cues together with normal notes.
String harmonics may now be added:
Stems pointing outward from the centre of the stave are now automatically shortened depending on pitch.
Ties are now drawn as arcs and multiple ties between chords offer more flexibility, improving some complex cases considerably.
A bar from Artie Matthews' "Pastime Rag No 1".
Beam gradients are subtly changed as part of our programme of engraving improvements.
Beams may now be extended over/under rests.
Where previously Mozart has assumed a default beaming pattern for a bar of any given time signature, you are now able to define the default beaming patterns.
Some parts (typically vocal parts) may now be defined as 'unbeamed'. Parts with this definition will not be beamed automatically irrespective of the beaming pattern in use for the standard parts.
Manual phrase mark placement is more flexible. Automatic phrase mark placement is improved making manual placement seldom necessary.
Automatically placed phrase marks now rise and fall with the melody and
may now begin and end half way along a note stem.
Mozart now offers dotted phrase marks, and the choice of Bézier curves (as hitherto) or circular arcs (which may better emulate manual engraving practice).
The example below, a snippet from the string parts of Mozart's Clarinet Concerto (an example supplied with the program), shows some phrase marks drawn in their default positions using the 'arc' option.
Clef placement is standardised.
Accent placement with respect to both notes and staff lines and spaces is improved.
Leger line length and thickness is improved.
The automatic generation of the geometric length of a multiple bars rest symbol is now much improved.
Mozart now allows the play-back tempo to be set to a given percentage of that marked:
Passages of music may now be bracketed above or below in a choice of different styles.
Brackets (in all styles) may also be attached to text entries in order to apply an instruction to a passage.
Barré and Half Barré markings are now supported for classical guitar notation, with and without brackets in the various styles.
Other number styles are available - also with the option of attached brackets - for example to represent fret or string instructions.
Secondary rehearsal marks are now supported.
Text items attached to notes and bar lines in the music may now be left, right ot centre aligned. The alignment is preserved by copy and paste, and by any reformatting of the piece.
An anacrusis represents missing beats at the start of a bar. Hitherto, this was available at the start of a piece, but now it can be placed after a music break for the start of a new tune or movement, or indeed (and caveat emptor) at the start of any bar. It is indicated on the screen but is not shown on the print-out.
A complementary object, a truncation, is now available to indicate missing beats at the end of a bar. This is designed for balancing an anacrusis in 1st and 2nd time bars.
See bar renumbering illustration.
Bar numbering can now be redefined at any point in a file. This is useful for restarting numbers at a new movement or tune.
Mozart's chord dictionaries have been overhauled. For any given chord name C6, G7 etc, you can now define a 'preferred' chord shape, and this one will be used by default for the corresponding chord name. The preferred shape can be changed at any time.
Brackets and braces on the score may now nest (or overlap)
Labels on staves joined by a brace may now be combined or separate.
Mozart now comes with a selection of 'Music Enhanced Text Fonts' in different styles which contain assorted symbols which are oftem missing from standard fonts. These include accidentals, chord name symbols, and an 'untertie' for elision of lyric syllables under a single note:
Jazz suite in F♯ minor
Mozart now allows many more attachments of various symbols to clusters of notes, so that their relative positions are preserved when copying, pasting, and reformatting.
Dynamics are straightforwardy centred on notes.
The default stem direction (up|down|centre) can now be reset at any point in any strand of music.
Having entered music you may now impose a given number of bars per line on any selected passage.
An example written in the 4-note-shape system.
Mozart now supports notation for shape note singers with a choice of 4-shape systems (often denoted 'Sacred Harp') and 7-shape systems.
In this system, popular since the 19th century in some genres, the shape of a note head depends upon its position on the scale.
A new command offers rapid access to the supplied examples.
The preferences dialogue now allows you to find auto-saved files more efficiently.
There are now two context colouring options: one which works (as hitherto) on all strands, and a new, more subtle one, which works on the active strand only.
An additional merge command makes merging consecutive notes and rests more flexible.
MusicXML import has been improved:
MusicXML export: MusicXML files may now be exported.
ABC import: abc files may now be imported.
ABC export: abc files may now be exported.